as I take care of the pupil of my eye

Posted in asylum, civil rights, Human Rights, refugee crisis with tags , , , , , , , on June 22, 2019 by Louise Steinman

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[photo: LS2019]

I have been corresponding with inmates at Otay Mesa Detention Center, where asylum seekers to the US are being detained. There are detainees from Mexico, Yemen, Iran, Tajikistan, Guatemala, Honduras, Nicaragua, Eritrea, Columbia, and many more countries– fleeing persecution, rape, gangs, torture, police, threats to family and livelihood.  One young man from Congo, has been detained for two YEARS and 28 days.  As ICE ratchets up new raids and threatens deportations, please think about these people kept behind bars in a country (once upon a time) predicated on the idea of offering safe harbor to those fleeing persecution.  With this letter-writing system, every week you are given the name of someone in detention to write to, and all the letters (redacted) are published on-line. These letters are a life-line to those in detention separated from their families. They need to know that someone cares.  People who come to this country fearing for their lives should not be treated like criminals. Find out more here: Detainee Allies    This young man from Yemen (words below) would take care of our country like he would THE PUPIL OF HIS EYE.  What a good measure for any citizen!

Honorable Judge,

I hope that you will give me the right of protection and let me live

in this country like any citizen.

For I pledge to you that I will serve this country and will work

to build it up night and day and will take care of it

as I take care of the pupil of my eye,

and I will be a trustworthy watchman for it

and contributing member of society,

not a destructive one.

-refugee asylum seeker from Yemen, in ICE custody

and read this letter from Horacio, from Mexico to his pen pal Dora in Maine… I was so moved by this.

To Dear Dora and Otay Allies

It is a pleasure to write you and all members of Otay allies, I am so happy to receive your letters of support every week and to know that there is still people that care for the human rights nad actually still have comprehension, compassion ,and kindness. I also feel admirable towards you for you generosity every time you help me to buy my needs here in detention thank you very much for your kindness, I love to read yours letters and when you tell me about the water in Maine and the things you do every day I can imagine everything in my mind about what you do every day in your house and believe me I know where Maine is I know the names of all the states of U.S. A. in my case I used to live in a realy beautiful area close to Monterey CA, Carmel Valley, Santa Cruz is a very place places in California nice places in California where is located the Salinas valley where all of vegetables grows like lettuce, cauliflower, broccoli, strawberries, artichokes and all kinds of vegetables. I don’t know if you of Clint Estwood, very good actor for the Western movies, he lives in Carmel Valley very close where I used to live, if you have the chanse to look it in google or even visit those places you will be amazed How beautiful they are. I receive the letter that you wrote me and I ma glad to know that you guys can be able to understand every single letter that all the detainees write to you guys even and knowing that there must be hundreds of languages that write to you guys Google translate is very good that’s the one I used to use every time I needed. I like the way that you send me the letter half in Spanish and half in English, for me when I was barely 16 year old I was brought to U.S. right after I started working in the field of Salinas CA my job was irrigate all of those vegetables with irrigation sprinklers that are really long and heavy but I was very happy because I was with my two older brothers, I them started going to ESL clases every afternoon after my work that how I learned som grammar I also used to love to take my younger brothers or sometime I used to go to those cities that are by the sea like Monterey, Santa Cruz just to take walks and to talk with the American people that honestly were and are very nice and kind and I remember I loved to make conversation with that people just to improve my English so that way I could practice more and more people in that area are honestly so sweet and is always are willing to help you I know that most of the American people are like that, I can say that because threw the years that I lived here I had such a good memories with the people from this country. I also must say that my situation is critic and sad I have to be truth about it it is sad the price that we “Mexico” people must pay just to be neighbor of the most rich and powerfull country of the world I say that because I see a lot of discrimination against us, like for example Mexican don’t get asylum almost never I don’t know why even knowing what is going on in that country with the cartels and all of that corrupted goberment that Mexico has all of those massive killings are happening just because they are fighting for territory why because that envolves a lot of money because this country has it. I always ask myself if Mexico will be situate where Argentina and Uruguay are it wouldn’t be that bad in crime people will be working decent it would not be all of those killings that are happening now that’s is one of my points of views. I am plenty fighting to be deported to Mexico I askin the court that I m fighting now to please try to send me to another country I have send letters to the embassis of Guatemala and else of the Panama to see if they fix something, that’s is what the deportation officer has told me to do, to try to get in contact with the consulates or embassis and ask them if they can give me what is called asylum humanitarian so I can avoid to go to Mexico or get deported again there, it is else part of my argument what I’m telling the court please send me to another country   Well Dora it is a pleasure to hear from you and also to write you every time I have the chanse I hope you can understand my situation that it is so difficult. I hope you had the chanse to listen to those wonderful songs that I mention to you in my last letter that I send you last time I hope you enjoy them, but I totally forget o mention about one other band of music of my favorites which is the Bee Gees I really love their music Barry Gibb is one of my favorites one of my favorite songs are “Alone” something in the Dark by Barry Gibb and I also know all about them Barry Gibb has a couple of CDs by himself listen to them they are wonderful I am sure they are going to like a lot. Well Dora thanks for everything and I hope for the best for you

You have a very noble kind heart, we definitely need more people like you in this world.

A++ your friend Horacio

 

 

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Time Regained: Reading Józef Czapski in Billings, MT (about Marcel Proust, the Gulag, and reading as salvation)

Posted in ALOUD, Art and Culture, Crooked Mirror, history, Human Rights, Literature, Poland, social justice, translation, Travel with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2019 by Louise Steinman

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[from THE NOTEBOOKS OF JOZEF CZAPSKI, Polish limited edition]

I WOKE UP around 5:00 a.m., disoriented in an unfamiliar bed. I did not know east from west, up from down, where I’d find a floor to take the weight of my body. The hazy proportions of the room gave no clue; curtains blocked the winter light. In the moment my eyes opened, I lost my connection to those essentials that are, as Proust assures his readers, held fast by our psyches during sleep: “[T]he sequence of the hours, the order of the years, and the worlds.”

 

My disorientation went beyond the geo-gravitational. One era of my life had ended, and the next had not yet begun. If I lived in a traditional society, I’d have been standing on the threshold of the hut listening as a priest beat drums and stirred strong potions, a state the anthropologists call liminality.

Just six weeks before, I’d been fired from my job of 25 years. It was a job I’d loved, that had drawn on my love of literature and my delight at convening people from across Los Angeles to engage with the issues of the day, to ask questions of innovative thinkers, to practice agreeing and disagreeing in a public forum. The events at Central Library, the hearth of the city, were free; homeless patrons sat next to lawyers and teachers and students to listen to Christopher Hitchens talk about religion or Ta-Nehesi Coates discuss reparations. They came to hear local poets read Walt Whitman translated into Farsi and Spanish; to celebrate novelists like Colson Whitehead and his re-imagining of the Underground Railroad, to learn from naturalists like Terry Tempest Williams, primatologists like Frans de Waal. Hundreds of literary luminaries — Susan Sontag, Toni Morrison, August Wilson, W. G. Sebald, Margaret Atwood, Adam Zagajewski, Ursula LeGuin — all presented their work on our stage over the years. At our last event, Nelson Mandela’s granddaughter read from her grandfather’s just-published prison letters. One evening, during his sound check, Cornel West pulled me aside to say, “You know, don’t you, that this space is sanctified?” I did.

Now I was untethered from the satisfactions of my job and as well, from the scaffold of responsibilities that had, for so many years, structured the rhythms of my life. I was past the tearful stage, but I was still heart-torn, grieving. Luckily, I had been granted a writing residency that fall at an arts colony on a ranch outside of Sheridan, Wyoming, and Susan — my soul sister-in-art — had been awarded a residency there as well. Perhaps some time away would open a way to re-focus, to pick up the thread of my own writing life.

As a way to jumpstart our adventure, Susan and I schemed a rendezvous, picking a town on the map that neither of us knew at all — Billings, Montana — simply because it had an airport and decent airfares from Los Angeles, for me, and from Portland, Oregon, for Susan.

Susan rented us a car and a two-bedroom Airbnb bungalow in Billings. We planned to cook simple meals together, drink good wine, catch up on stories about our lives, plan collaborative projects, and, at the end of the weekend, drive the 70 miles to the Crow Reservation to spend some daylight hours at the Little Bighorn Battlefield, then travel the final stretch to the Wyoming ranch and our official residency.

At the last moment, life tectonics shifted. A mutual friend — jazz musician David Ornette Cherry — suffered a medical emergency. He couldn’t breathe, barely managed to call 911 from his Portland studio before he suffered a cardiac arrest. David was “gone,” the paramedics said, for four whole minutes, and was now in an induced coma, on a ventilator in a Portland hospital, in the limbo of the ICU, where machines bleated heart rates and IV bags dripped nourishment into human veins, between life and death, this world, that world, with Susan by his bedside. He had no family nearby. He was going to need a lot of support to pull through.

I wholeheartedly supported Susan’s decision to stay behind, to forgo the residency if David didn’t recover soon. I realized as well that it was too last-minute and too costly to redirect my itinerary.

Which is why I woke up alone, in a strange bed in a strange house in Billings, Montana, where I dreaded spending the weekend alone.

MORE. READ ENTIRE PIECE, as published in Los Angeles Review of Books, May 21, 2019

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Resister in Sanctuary: We Won’t Go

Posted in FRIENDS, history, Human Rights, Life and What about It, Los Angeles, Peace and social justice, social justice with tags , , , , , , , , , , , , , , , , , on August 14, 2018 by Louise Steinman
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Joe Maizlish at Induction Refusal, 1968 Black and white photograph/L.A. Resistance Collection, Los Angeles Public Library

In one glass case, what first draws my eye is a REMEMBER JOE MAIZLISH bumper sticker identical to the one I affixed to the bumper of my dad’s Ford Mustang in 1968. Yes, I do remember Joe Maizlish. Decades ago, I wrote to him in while he was in federal prison, where he served two and a half years of a three- sentence for refusing induction to the draft. Joe, now a psychologist and mediator, in present-day, is my neighbor in Silverlake.

The item, along with posters in fonts of various degrees of psychedelia, is on exhibit at WE WON’T GO: The L.A. Resistance, Vietnam and the Draft (at the Central Library’s Getty Gallery until August 19). Curated by Winter Karen Dellenbach, an L.A. Resister, together with Ani Boyadjian, Research & Special Collections Manager for the Los Angeles Public Library, this inspiring display of civil disobedience was drawn from the Los Angeles Resistance Archives, acquired by the library in 2014. The collection includes letters, posters still and moving images, diaries, mimeographed newsletters, draft cards and other ephemera donated by members of the L.A. Resistance and their supporters. Essentially, this is a chronicle of the non-violent anti-draft activities of the L.A. chapter of the Resistance, a nationwide movement.

I recognize a black and white photo of General Hershey Bar, with his signature plastic B-52’s worn as medals. The real General Hershey, a Nixon advisor, was head of the Selective Service, and General Hershey Bar was a familiar sight at anti-war rallies in the ’60s. “Fixin-to-Die Rag” (Country Joe and the Fish) cues in my head:

“Well, come on all of you big strong men
Uncle Sam needs your help again
Got himself in a terrible jam
Way down yonder in Vietnam
Put down your books and pick up a gun
We’re going to have a whole lot of fun”

MORE on Los Angeles Review of Books

 

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When a Rock is a Stone: Finding Spiral Jetty

Posted in Art and Culture, climate change, Environmental Art, Literature, Travel with tags , , , , , , on August 10, 2018 by Louise Steinman

June, 2018. Rozel Point Peninsula, Great Salt Lake

In 1970, when artist Robert Smithson first set his gaze on the Great Salt Lake’s Rozel Point Peninsula, he knew he’d found the right site….

Los Angeles Review of Books, Aug 6, 2018

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“Happiness is Bullshit” Celebration of the Life of Judge Harry Pregerson

Posted in civil rights, homelessness, Human Rights, Life and What about It, Los Angeles, Pacific War, social justice with tags , , , , , , , , , , , , , , on December 16, 2017 by Louise Steinman

Judge Harry Pregerson, U.S. Court of Appeals for the Ninth Circuit

I never got a chance to meet the legendary Judge Harry Pregerson, who served over fifty years on the Ninth Circuit federal court in California (stepping down at age 92) and died last month at age 94. When I got word of his Dec 1 memorial at the Shrine, I decided to make Harry’s posthumous acquaintance. I parked, passed through a security check, settled into one of the back rows of that vast hall, listened to the musical preamble of dirges performed on-stage by the Salvation Army brass band.

The seats were filled with people who loved Harry, were related to Harry, had worked with Harry, had been helped by Harry or mentored by Harry, or all of the above. Harry’s signature cowboy hat placed on the podium bore witness to their heartfelt stories over the next two hours, stories that created a vivid portrait of this tough, tenacious, cantankerous, loveable man.

Harry Pregerson, son of Ukrainian Jewish immigrants, raised in a free-thinking home in diverse Boyle Heights. At 21, a Marine lieutenant on Okinawa, he sustained serious wounds in both thighs. He was rescued from the battlefield by two Marines, surnamed Martinez, Mexican-American cousins, compadres from Boyle Heights. “Leave no one behind,”—the Marine code of honor became Harry’s life-long mantra. Just a week before he died, he told his wife, “…the hardest thing is that I don’t have strength anymore to help people.”

Judge Harry had been the sentencing judge in several trials of draft resisters during the Vietnam era. One activist, Bob Zaugh explained to me how Judge Pegerson was known for visiting ALL the people he sent to prison and when… “on a visit at Lompoc to visit a bank robber, he inquired who else was on the manifest. The judge learned that one of the resisters he’d sentenced—Michael Schwartz– was in solitary confinement for non-compliance. Schwartz had also been on a hunger strike. Judge Pregerson was so disturbed to learn that resisters were being sent to this type of prison. When he got back to Los Angeles, he drafted papers to change the sentences to time served.” After that visit, he decided he could no longer send resisters to prison.

When asked once what guided his decisions, Judge Pregerson explained: “My conscience is a product of the Ten Commandments, the Bill of Rights, the Boy Scout Oath and the Marine Corps Hymn. If I had to follow my conscience or the law, I would follow my conscience.”

Another judge, a former Marine, stepped up to the podium and described Harry Pregerson as “a man with no guile. Either you were a guy you hit the beach with, or just no damn good.”  A former law clerk, now a judge, described how Harry frequently hired women as his clerks—unusual at the time—and, if one of them became pregnant, Harry would say: “That’s fine; we’ll just put a crib in the chambers.” City Attorney Michael Feuer described him as “…a force of nature. He was on a mission. No one could say no to Harry Pregerson. ‘Ok ok maybe the Supreme Court, once in awhile.’”

Harry’s moxie could move mountains, jump-start homeless shelters. During a particularly cold winter in LA in the mid-eighties, with people sleeping on the streets, Harry sent his law clerks to research a little used federal statute which he then used to commandeer an empty federal warehouse in Bell (built to house supplies for troops of the Pacific Theater in WWII) as a temporary shelter for the homeless.

The Bell Shelter, administered by the Salvation Army, is now one of the largest homeless shelters in the nation, providing over 1500 meals a day, to 500 former Skid Row residents, and offering job training as well. As Lt. Col Doug Riley of the Salvation Army testified at the memorial: “Harry made it happen.”

Pregerson established numerous other homeless shelters, including the Salvation Army’s Haven Program on the V.A. West Los Angeles campus which offers services for veterans with PTSD, job and addiction counseling. “Lemme tell you,” Harry remarked on one of his frequent visits there, “the finest people in the world live in these shelters.” The list of good works is astonishing: among them, the modernization of the Hyperion Treatment Plant, which revitalized marine life in the Santa Monica Bay; creating affordable housing and child care programs for those displaced by the 105 Century Freeway.

When Harry called, people answered, even in the middle of the night. When you shook Harry’s hand, his grandson Bradley recounted, it meant you were being swept up into the good fight, “joining Grandpa’s army, brought in with a Kung-Fu grip.” No one was ever a stranger to Harry, his daughter Katy told us because, “you never knew who a stranger could be… someone to help… or someone who could be a resource.”  He also once told her, “Happiness is bullshit.” Real satisfaction came from service to others.

At the end of the almost two hour memorial, a lone bugler from the Salvation Army Band stood stage right and played TAPS. The notes were sweet and clear. I let the cleansing tears run freely for the sheer goodness of the man. I came alone, but I didn’t feel like a stranger. I will store the stories I heard about Harry Pregerson on the solar grid of my psyche for those dark hours ahead when the discouraging news– the meanness of those in positions of power– drain me of hope and energy.

Mayor Garcetti told the crowd that Harry Pregerson was “the greatest angel the City of Angels has ever known.” On this Hanukah night when we celebrate miracles, I raise a toast to the miracle of Harry Pregerson’s life and work. Of blessed memory.

(thanks for photo: Jason Doiy)

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A psycho-geographic walk in Warsaw

Posted in Art and Culture, Crooked Mirror, Life and What about It, Poland, Travel with tags , , , , , , , , on September 4, 2017 by Louise Steinman

The last days of August I spent in Warsaw, holding animated conversations with my Polish friends about the abounding dangers in their country and my own. On my second morning in town, my friend Wojtek Szaszor a conceptual artist, offered me an unusual gift, a Warsaw map with circles drawn around locales he considered “symbolic chakra-Monuments” of Warsaw.  It was an invitation for what Wojtek calls “a free association- self-guided psycho-geographic tour in the spirit of John Cage,” all within walking distance of his Powisle neighborhood.

Wojtek uses conversations and dialogue as part of his art practice (in the arts district in LA, in the mid-90’s, he was an organizer of the alternative space on Traction Avenue called Spanish Kitchen), and until a few months ago, with his wife—artist and theater producer extraordinaire Joanna Klass, they ran an an “experimental incubator of art” called Curie City in central Warsaw near the Palace of Culture A storefront with theater artists creating new work alarmed the conservative Polish government. Curie City got hassled out of their lease.

What were the criteria for inclusion on this tour? Wojtek suggests that, in these present troubled circumstances, it could be helpful  to “assemble a team” composed of the living and the dead, those who are, he says, the true non-conformists and have some kind of knowledge of what is happening. Very few people in Poland, he added, are true nonconformists. I asked if he would join me on this walk but no, he said, his presence would spoil it.

My first stop was just a few blocks from my apartment, on the banks of the Vistula. The sun was bright and children were soaking up the last days of summer, splashing themselves in the fountain at the base of the Syrene of Warsaw, the mythical symbol of that grand city’s defiance, who rears up on bronze waves on her Piscene tail, holding her sword aloft.  A mermaid as a symbol of a city? I thought about the value of hybrids, what it means to be part human and animal, how hybrid forms are for non-conformists, for breaking norms that we’ve outgrown. And most of all, the siren must be heard.

The statue was unveiled in July, 1939, just a month before the German invasion of Poland. The statue survived the war, but the young poet on whose visage the sculptor, Ludwika Nitschowa, modeled the Syrene, did not. Her unblinking gaze belongs to the young poet and ethnographer, Krystyna Krahelska, who died on the second day of the Warsaw Uprising. Krahelska fought for the AK, the Polish Resistance, under the code name Danuta. She was nursing a wounded AK soldier when she was shot three times by a German sniper.

Her face was pure and idealistic, the face of a woman who would do what she needed to do for her country. It made me think of my young grandmother, who took refuge in Warsaw in 1920, two young children in tow, on her solo journey from Russia during its civil war. She secured her visa to come to the States at the Belgian legation in Warsaw, part of my own mythology. (I have not yet found the Belgian legation in Warsaw) . She did what she felt she must do to get her family to safety. She took risks. And so did Krystyna Krahelska.

I consulted the map for my next site, some commemoration of a woman named Eliza Orzeszkowa, located in a park crisscrossed with paths and lush pines. I needed practice navigating by street map. Where was she? There was the spring house that Wojtek had mentioned, where generations of Warsovians have filled their bottles from a natural spring. And there was the duck pond with some  mallards paddling around; I saw no plaque, no statue.  I sat down on a bench to ponder, to be still. It was a relief not to speak; Wojtek was so right to send me solo.  It took some minutes then I glanced over my shoulder at a noise– Eliza Orzeskowa, obscured by bushes, was staring right at me. Orzeszkowa, I learned, was a 19th century reformer and a prolific novelist who wrote about social conditions and campaigned for social reform in partitioned Poland, fought for the rights of women, espoused tolerance for Jews, and was nominated for the Nobel Prize in 1905. Russian authorities placed her under police surveillance for five years. Her solidity reassured me. I got out my pencils to draw her.

The Marie Curie Museum, on Freta Street in New Town, is in the townhouse where Maria Sklodowska was born. I observed flasks and beakers from her childhood lab, photos of Marie with Pierre Curie on their bicycle honeymoon, her spectacles in a glass case.

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It is always worth meditating on Marie Curie– her daring, her intellect, her dedication and imagination, her resilience in surmounting the many tragedies life handed her. As a young woman in Warsaw, she defied the Czar and attended the Flying University, where classes were in Polish. She allowed herself to imagine the freedom, as a woman, to study at the Sorbonne. She coined the term “radioactivity.” As chronicled in the beautiful Lauren Redness graphic novel about Marie, titled  Radioactive: “…in the lab she learned to counterbalance the unknown with the known.” She and Pierre attended séances, they were fascinated by all attempts to “coax the unseen into plain view.” She invented specially outfitted X-ray wagons and drove them herself to treated wounded French soldiers, pioneering new medical treatment on the battlefield.  Her discoveries—of radium, polonium (named for her native country) earned her two Nobel Prizes and were, she hoped, to be used for the common good.  Full stop.
Oh long-lost sisters, oh Vistula siren,
Oh Risk-taking Spirits, oh free radicals
Please guide us, hybrid as we may be

as we find our way

to resist
to exist
in these perilous times.

…and, since Wojtek invoked John Cage, I took the long way home, walking slowly along the Vistula, pausing for awhile under the Slasko-Dabrowski Bridge to listen to the songs the trams made as they clattered by overhead.

Quite beautiful songs, each one unique.

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July 4th 2017

Posted in civil rights, history, Human Rights, Life and What about It with tags , , , , , , , , on July 5, 2017 by Louise Steinman

Today seems a good date to start a new document, a new journal. A date that is supposed to be patriotic. In which we might feel the weight of our national experiment, now verging towards national calamity. In which we try to keep our chins up and our hearts strong. In which we feel the sickness churning in our stomach as our malevolent buffoon-in-chief insults twists lies trammels all the values we hold dear. As he creates suffering for the vulnerable. As he loosens restrictions on pollution. As he pulls out of the Paris Climate accords. The list is long and growing. Hold back the tears and bring out the magic markers. Make our signs. Make our phone calls. Steel our wills.

A second visit to the Kerry James Marshall show at MOCA, the last weekend before it closes, is a stirring reminder of what an artist can do to deepen our understanding of our country’s tortured race history and as well, its resilience. He does so by including those who have been excluded from the shared narrative, by painting them back into the national story,putting them center-stage into the American storybook, into small towns, into the backyard barbeques in Culver City,CA in the 50’s of my childhood, barbecues in parks to which no African-Americans were invited. To the neat streets-on-a-grid post-war stucco one-story houses in the city where I grew up– where African-American families were not allowed to buy a home, not allowed to live. It was called a covenant. it was silent. And for what was absent– I then had no questions.

The galleries at MOCA are more crowded than I’ve ever seen them. Everyone in this diverse crowd is absorbed in these astonishing paintings. I watch a man pushing his diminutive fine-boned grey-haired mother’s wheelchair through the exhibit. They pause in front of each painting to examine it closely. He is tall; so he kneels down beside her in the chair, pointing out the images– the yellow birds, the couple in the grass. The two of them enter the painting, smiling, occasionally frowning. Taking it in. As does the little girl whose sequined shirt glitters in gold synchrony with the drapes of rope—– a sinister signifier– on a painting of the blue sea. The angel in them middle of the living room adjusts a vase of flowers, bends before a wall-banner of mourning—JFK, RFK, MLK, reminds of the Watts living room of David Ornette Cherry’s aunt Barbara, Ulysses Cherry– who wanted his grandchildren to see all of Los Angeles, to see the Los Angeles beyond Watts. Who’d pile them into the station wagon on Sundays to drive west from Watts to the west, through Culver City, through Beverly Hills. But, David told me, “We always had to be back before sundown.” And why was that? I asked in all innocent ignorance. Because Culver City was a Sundown town, he said. And what, I asked in all innocent ignorance, was a sundown town? A town where African-Americans were not wanted. A town where you’d best leave before sundown. This the unofficial policy until the 1960’s in the town where I grew up. I didn’t know. I am ashamed I didn’t know. Until now.

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